Strongly recommend it for readers of all levels.

In this sense, poetry is as physical or … The Mind Has Cliffs of Fall: Poems at the Extremes of Feeling. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. By adopting a more flexible view of the concepts like accent (stress), rhyme, similarity of sound, one opens up limitless options for poetry. Moving on through discussions of syntax and line, meter and rhyme (or lack thereof), Pinsky enlists both the usual suspects (Shakespeare, Frost, Hardy, Eliot, Bishop) and some less customary ones (Gilbert & Sullivan, Louise Gluck, and the splendid James McMichael) to make his points.

For a better shopping experience, please upgrade now. In this sense, poetry is as physical or bodily an art as dancing. Excellent Book to Cover Fundamentals of Reading Poetry, Reviewed in the United States on March 14, 2014. This knowledge is useful because if accent or stress is a matter of degree, we can hear interesting rhythms even in a line where the basic structure is the simple pattern of alternating unstressed and stressed syllables. The medium of poetry is the human body: the column of air inside the chest, shaped into signifying sounds in the larynx and the mouth. This makes the art physical, intimate, vocal, and individual.". It is a piece to aid in the study and appreciation of poetry.

You are listening to a sample of the Audible narration for this Kindle book. Do you believe that this item violates a copyright? As a published poet who also teaches poetry, I found this book helpful not only for my personal improvement, but for tips to share on how one can better appreciate poetry. This was no exception! This title, oddly written in a humorless, academic first person for the novice, tells us more about what Pinsky thinks than about the subtle merging of the oral and written craft of English verse. It heightened my own enjoyment of poetry and the book itself is fun to read and full of great poetry used as examples and exercises. Poet laureate Pinsky's mission in this guide is to enhance poetry readers' pleasure. But this book broke open the aural experience and possibilities of poetry for me like nothing else ever has. Reviewed in the United Kingdom on June 29, 2015. Reviewed in the United Kingdom on April 9, 2013, 'There are no rules to poetry, but principles may be discerned ' says Pinsky in his opening to his helpful short book.Pinsky encourages the reader to read poetry aloud, as he contends the human body is the instrument on which poetry is played,and he proceeds in five readable chapters (albeit, inevitably a little technical) to help those interested in poetry to understand (and hopefully practice) this vocal art.One other aspect of poetry aloud is to listen to the poet himself read his offerings and therefore a cd to accompany this guide would have been very useful( perhaps in a future reprint ,maybe? Just considering the question can, in itself, help one to hear more about the sounds of the words we speak. stress versus unstressed) and should instead look at the relative traits (i.e. In this sense, poetry is as physical or bodily an art as dancing. This bar-code number lets you verify that you're getting exactly the right version or edition of a book. In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Pinksy writes well, but he really has nothing to say. It leaves your ear (and your heart) attuned to the pleasurable play of poetic language and persuades you that hearing is, indeed, believing. Reviewed in the United States on September 4, 2017. more or less stressed.) Having said that, a major theme of Pinsky’s work is that one shouldn’t be absolutist or rigid about these characteristics (e.g. The best book on poetry you will ever read, Reviewed in the United States on February 19, 2020. Pinsky, Poet laureate and clearly an accomplished artist and teacher, has complete command of his field and writes with utter clarity. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. Little attempt to relate to the reader, a lot of musing but few summaries or clarify what the author was saying. Yet even his on-the-fly commentary causes us to see them in a new light.

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I find it enormously refreshing that there is not a shred of ego in this book, but only passion and love for the mysteries of metre, sounds and composition. You can view Barnes & Noble’s Privacy Policy. Pinsky breaks down the fundamentals of poetry beautifully, whilst guiding us into a sensory experience and comprehension of the medium. There was a problem loading your book clubs. "Poetry is a vocal, which is to say a bodily, art," Robert Pinsky declares in The Sounds of Poetry. I am not a huge fan of Pinksky's actual poetry — I'm more of a Donne/Milton/Dickinson kind of girl. As a corollary, accent is a matter of degree. By bringing his passion for the sound of language--so evident in his own poems--to his expert interpretations of the work of others, Pinsky cracks open the glass case that seems to separate poetry from everyday language, allowing the song of each poem to ring bright and clear. Poems spring from our intuitive response to sound patterns, the instinctive grasp, for instance, of how an accented syllable alters the meaning of a word, and Pinsky hopes to elucidate the vocal aspect of the poet's art without diminishing its magic. Reviewed in the United States on May 5, 2019. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. He cites examples from the work of fifty different poets--from Shakespeare, Donne, and Herbert to W. C. Williams, Frost, Elizabeth Bishop, C. K. Williams, Louise Glück, and Frank Bidart.This ideal introductory volume belongs in the library of every poet and student of poetry.

not only interesting but suspenseful to read.” ―James Longenbach, The Nation“One of the marvelous things about this book is Pinsky's deep recognition that a poem is successful not because of the poet's ambition or sense of purpose but because of the effect it creates in the reader, and in many readers over time” ―Graham Christian, Boston Phoenix, Not that Poet Laureate Pinsky gets vague or touchy-feely on us. In this fascinating book, he explains how poets use the "technology" of poetry--its sounds--to create works of art that are "performed" in us when we read them aloud. . These poems are, in some sense, teaching tools for the author. We should be thankful, then, for Robert Pinsky's brief, wonderfully readable volume, in which he zooms in on verse as acoustic artifact: "When I say to myself a poem by Emily Dickinson or George Herbert, the artist's medium is my breath. As the title suggests, this is a book about sound as a component of poetry. "The medium of poetry is the human body: the column of air inside the chest, shaped into signifying sounds in the larynx and the mouth. What precisely does it mean to say, for example, that we stress the first syllable in the word "rabbit" and the second syllable in the word "omit"? Besides the characteristics of noises made in reading poetry, the book details the various characteristics that shape the overall sound of a poem--such as the duration of a syllable and whether it’s stressed or unstressed. Reviewed in the United States on September 29, 2020. In this sense, poetry is as physical or … Pinsky laid a brilliant foundation; I wished he'd built it a bit higher. Farrar, Straus and Giroux (August 19, 2014), An overview of how to think about sound in poetry, Reviewed in the United States on October 30, 2017. Uh-oh, it looks like your Internet Explorer is out of date. He devotes brief, informative chapters to accent and duration, syntax and line, like and unlike sounds, blank and free verse. Does this book contain quality or formatting issues? not only interesting but suspenseful to read.” —James Longenbach, The Nation“One of the marvelous things about this book is Pinsky's deep recognition that a poem is successful not because of the poet's ambition or sense of purpose but because of the effect it creates in the reader, and in many readers over time” —Graham Christian, Boston Phoenix, ©1997-2020 Barnes & Noble Booksellers, Inc. 122 Fifth Avenue, New York, NY 10011. An exhausting and disappointing read. which happens also to be a one-syllable word, is neither stressed nor unstressed, by itself. Poetry is a vocal, which is to say a bodily, art, Robert Pinsky declares in The Sounds of Poetry. Each pair of syllables is arranged so that the second one has more accent than the first: "is" sticks out just a bit more than "It" in the very light first pair; and "grow" sticks out more than "not" in the rather heavy second pair; and "like" sticks out quite a lot more than "-ing"; and "tree" definitely sticks out more than "a."

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