The carpet hanging over the balustrade is a "Medallion Ushak" with a dark-blue background, a red ogival center medallion, and a blue half-medallion on each side. In 1696 the painting, being sold on an auction in Amsterdam, was named "A merry company in a room". Half a century after it was … However, this painting is usually considered as a point of departure for an appraisal of Vermeer's achievement. The Procuress - Johannes Vermeer was a Dutch Baroque painter who specialized in exquisite, domestic interior scenes of middle class life. 1660) and The Art of Painting (1665-1668). The man, a soldier, in the red jacket is fondling her breast and dropping a coin into the young woman's outstretched hand. There is no relationship between this painting and other authentic works by the master, neither in the conception nor the execution. First mentioned in the Dresden catalog of 1765 as by Jean van der Meer, without specifying which Van der Meer. Additional 2 inch blank border around the edge. 100% hand-painted oil painting on artist grade canvas. shipping. and dated(?) You are not signed in. Here, behind a balustrade covered by a richly decorated rug, a procuress looks approvingly at a soldier, who offers a young woman a coin while fondling her breast. In his rather fictional book Binstock explains Vermeer used his family as models; the whore could be Vermeer's wife Catherina and the lewd soldier her brother Willem. Dresden, Germany In "The Procuress", Vermeer applied the large-scale figures of his early history scenes to the subject of genre painting. The girl, the suitor embracing her from behind, and the old lady in black form a compositional unit. One has attempted to establish a connection between this work and the one by Dirck van Baburen from 1622, now in the Boston Museum of Fine Arts. or digital imaging techniques are used. Vermeer's early piece, "The Procuress" (dated 1656), was his first genre painting. The erotic subject, size and decorative splendour are all closely related to the Utrecht Caravaggisti painted a generation earlier. Holding a glass of wine in one hand, she willingly accepts his The figure of the young girl in the bright-yellow jacket and white lace-trimmed headscarf attracts the attention of both the suitor standing behind her and the viewer. The girl, the suitor embracing her from behind, and the old lady in black form a compositional unit. The kelim thrown over a bannister, probably produced in Uşak, covers a third of the painting and showes medaillons and leaves. For example, he used thick impastos to convey the rough texture and three-dimensional character of the ceramic wine pitcher. Signature: Signed(?) You can order any painting in any size as your requests. At one time, it must have been the property of his mother-in-law. In stock items ship immediately, usually ships in 3 to 10 days. Few of Vermeer's paintings are as provocative as this fascinating scene of mercenary love, which, in its subject, as well as in its momentary gestures and expressions, seems to differ from his earlier biblical and mythological scenes. 45-day Satisfaction Guaranteed and 100% Satisfaction Guaranteed.

It can be seen in the Gemäldegalerie Alte Meister in Dresden. The painting is in the Caravaggiesque style of the Utrecht school.

9:31AM BST 28 Sep 2009. A document of November 27, 1641 that divides the marital property lists "A painting of a procuress pointing in the hand" ("Een schilderije daer en coppelerste die in de hant wijst"); this has been identified with the MFA painting. He employed also smalt in the green parts of the tablecloth and in the greenish background which is less usual for him. This painting is the first instance in which Vermeer strove for a sense of realism through his painting techniques. Data successfully added to your Wish List ! It seems Vermeer was influenced by earlier works on the same subject by Gerard ter Borch, and The Procuress (c. 1622) by Dirck van Baburen, which was owned by Vermeer's mother-in-law Maria Thins and hung in her home. By introducing a tall, carpet-covered balustrade, Vermeer divided the image into two nearly equal parts with corresponding color values. At one time, it must have been the property of his mother-in-law. that's a great way to impress friends, neighbors and clients alike. Click Image to view detail. The restoration of the painting from 2002–04 brought back to light the original vibrancy of the jacket that was painted in lead-tin yellow and repeatedly altered during the painting process. The chiaroscuro effect and the warm colour harmony of reds and yellows also indicate a connection with works painted in the early fifties by Rembrandt and his followers; perhaps Maes, who had settled in nearby Dordrecht by 1653, was the conduit. The Procuress, 1665 by Johannes Vermeer. By Andrew Hough. In the catalog of 1782 as by Van der Meer of Haarlem. The fact that Vermeer van Delft was a dealer and thus owned a number of works by other masters does not necessarily imply that he took them as models for his own productions; even if he used some of them as background decorations in his paintings.

This dimly lit figure is probably a Johannes Vermeer Oct 31, 1632 - Dec 15, 1675; The Procuress - Johannes Vermeer was a Dutch Baroque painter who specialized in exquisite, domestic interior scenes of middle class life. Page of The Procuress by VERMEER, Johannes in the Web Gallery of Art, a searchable image collection and database of European painting, sculpture and architecture (200-1900) Artists: Search: Glossary: Contact: Info: VERMEER, Johannes (b. The contrast of the two darkly shaded figures with the bright yellow, white, and red of the pair on the right (colors that continue across the carpet) creates a vertical dichotomy in this composition.

In the catalog of 1826 as by Jacques van der Meer of Utrecht. 1632, Delft, d. 1675, Delft) The Procuress 1656 Oil on canvas, 143 x 130 cm Gemäldegalerie, Dresden: Signature: Signed(?) However, aside from the subject matter, the Dresden painting has nothing in common with the one in Boston. The striking figure of the young man wearing a beret in his old-fashioned, dark jacket with slit sleeves holds a cister. It differs from his earlier biblical and mythological scenes. Vermeer, however, renounced superficial expression, and his figure scene radiates serenity and tranquility. Eduard Trautscholdt wrote 10 years before that "The temperament of the 24-year-old Vermeer fully emerges for the first time" [13] The painting was in the Waldstein collection in Dux (now Duchcov), then bought in 1741 for August III of Poland, the Elector of Saxony. One has attempted to establish a connection between this work and the one by Dirck van Baburen from 1622, now in the Boston Museum of Fine Arts. lower right 1656. The fact that Vermeer van Delft was a dealer and thus owned a number of works by other masters does not necessarily imply that he took them as models for his own productions; even if he used some of them as background decorations in his paintings. Girl Reading a Letter at an Open Window, 1657, Lady Writing a Letter with Her Maid, 1670, Photo of The Procuress by Johannes Vermeer. The woman in black, the leering coupler, "in a nun's costume", could be the eponymous procuress, while the man to her right, "wearing a black beret and a doublet with slashed sleeves", has been identified as a self portrait of the artist. To It can be seen in the Gemäldegalerie Alte Meister in Dresden. and dated(?) The Procuress by Johannes Vermeer painted in 1656 Photo: AP. Some critics have thought the painting is atypical of Vermeer's style and expression, because it lacks the typical light. Here, behind a balustrade covered by a richly decorated rug, a procuress …

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