One of Hogarth's most sought-after series! Plate size: approx. 15 1/2 x 12 1/2 inches Behind them three figures are involved in a violent dispute. 25 1/4 inches x 19 1/4 inches Plate III One of Hogarth's most sought-after series! The Works of William Hogarth from the Original Plates Restored by James Heath, Esq., R.A.; With the Addition of Many Subjects Not Before Collected: To Which is Prefixed, a Biographical Essay on the Genius and Productions of Hogarth, and Explanations on the Subjects of the Plates by John Nichols, Esq., F.S.A. Most significant is the unrepaired tear in the top center, which just extends (¼ inch) into image. It has a fully developed subplot which chronicles the life of Sarah Young. A very nice, dark impression. The Rake's Progress, plate VI While his shrewish wife assaults him, Sarah Young faints in compassion at his plight. "The Complete Works of William Hogarth" 25. The rake's two cellmates forecast his impending fate; both are, to some degree, mad. The Rake's Progress, plate V Invented, Painted and Engraved by William Hogarth Condition: Excellent—extremely light foxing in margins only; short nicks/tears in extreme edges of right margin, not affecting image. The rake, slumped listlessly forward, his face filled with despair and anomie, besieged on all sides, gestures helplessly with his hands and feet. A Rake's Progress (1732-4) was a series of eight oil paintings that were preparatory works for engravings and prints portraying the downfall of the fictional Tom Rakewell. Condition: Very Good to Excellent. [For sale in a complete set of 8 full page engravings, see below for details], The Rake's Progress A very nice, dark impression. Sheet size: approx. Most significant is the fox mark/stain in the upper middle portion of image. The Rake's Progress, plate 3 Mackenzie, London, 1870) On the floor at the dancing master's feet lies a title page inscribed "A Poem dedicated to T. Rakewell Esq"; it pictures Farinelli on a pedestal before a group of women crying in homage, "One G-d, one Farinelli"; two hearts burn below the singer. (The Tavern Scene), The Rake's Progress, Plate 4 The Rake's Progress, plate 7 According to Act of Parliament. Condition: Excellent Sold at ye Golden Head in Leicester Fields London. The man in the first cell sitting on straw chained to a rock is a fanatic; he keeps a crucifix and icons of three saints ("St. Lawrance, St. Athanatius [C]lemen[t]") beside him. Above his canopy rests a pair of wings. One of Hogarth's most sought-after series! 25 1/4 inches x 19 1/4 inches A Rake's Progress is a work of broader scope and greater complexity than A Harlot's Progress. Even in his portrait he wears his overcoat to avoid burning a fire. Plate size: approx. The fellow peering at the ceiling through a roll of paper which he imagines to be a telescope is an astronomer. A very nice, dark impression. It is morning; daylight shines through the window and is reflected on the bottles on the table. Sheet size: approx. (note: entire sheet is too large to scan), The Rake's Progress, Plate 4 (note: entire sheet is too large to scan), Plate 1 is not available from the Cook edition, Plate 3 is not available from the Cook edition, Plate 8 is unavailable from either edition. The plate depicts the rake spurning the middle-class values (duty, marriage, thrift) that his father has lived by. Sheet size: approx. One of Hogarth's most sought-after series! (click image for enlargement) (Scene in Bedlam), The Rake's Progress Condition: Excellent. Religion has two adherents here. This antique print is one of several engravings from the mid 1800's showing the works of Hogarth that we have currently in stock, he was the most famous printmaker of his era and is well known around the world. (steel engraving) ], (click image to see entire plate enlarged), The Rake's Progress One of Hogarth's most sought-after series! (The Young Heir Taking Possession), Condition: Very good; unrepaired inch long tear in extreme left edge of paper, well outside of plate mark and easily covered by a mat. The Rake's Progress Sheet size: 8 3/4 x 12 1/4 inches Invented, Painted and Engraved by William Hogarth 15 1/2 x 12 1/2 inches published by Jones & Co., Temple of the Muses, Finsbury Square, London, 1833) Most significant is the natural paper "wrinkle" (not crease) running horizontally through lower portion of print—not terribly noticeable nor distracting. Condition: Very Good to Excellent. 25 1/4 inches x 19 1/4 inches John Trusler, Complete Set of the above 8 original 180+-year-old copperplate engravings, (note: entire sheet is too large to scan). Original Copperplate Engravings and Etchings from: The Rake's Progress, plate 2 T01790 A Rake's Progress (Plate 3) 1735, Etching and engraving 318×387 (12 1/2×15 1/4) on paper 466×615 (18 3/8×24 1/4); plate-mark 362×410 (14 1/4×16 1/8) A couple of very mild fox marks within image, but not as apparent as they may seem in our photo. A very sober Black woman smiles at a half-conscious figure who spills the contents of the large punchbowl over herself in an attempt to consume it; she is restrained by a more delicate companion who drinks from a glass and bottle. (Rakewell marries an Old Maid), Condition: Excellent. Typical overall age-toning, edgewear, and grubbiness in margins. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings A Rake's Progress (1733–1735) of William Hogarth, which Stravinsky had seen on 2 May 1947, in a Chicago exhibition. T01790 A Rake's Progress (Plate 3) 1735 A RAKE'S PROGRESS A Rake's Progress was etched and engraved from a series of eight paintings completed in 1734. Invented, Painted and Engraved by William Hogarth Louis Gérard Scotin (1690-after 1755) is thought to have assisted Hogarth with the engravings. 25 1/4 inches x 19 1/4 inches To his right a mad musician with sheet music on his head saws a violin with a stick; his fingers are covered with rings. Plate II Set of antique prints by William Hogarth, the Rake's Progress tells the story of a young man inheriting a fortune but squandering it and ending up in the mad house. Traditional and most popular method of printmaking in previous eras, requires a highly skilled engraver who would cut the printing block using special tools. A couple of tiny fox marks in margin. The rake's fortune is already secure at the opening of his story. svnd[r]/In. (Heath edition, 1822) [For sale in a complete set of 8 full page engravings, see below for details], The Rake's Progress (Heath edition, 1822) Added in a late revision of the plate, it suggests that in 1763 Hogarth questioned the sanity of the British nation. Four significant tears which were "repaired" with acidic tape many years ago, causing acid burn. The condition of the church mirrors the nature of teh act and actors in the scene; plaster has fallen from the walls; the creed on the right wall has rotted away, leaving only the words "I Believe"; and the tablet with the commandments is cracked. A very nice, dark impression. Tom, a childish-faced person, callously tries to buy the mother off with his newly acquired wealth as he postures to permit the tailor to continue his work without interruption. You must — there are over 200,000 words in our free online dictionary, but you are looking for one that’s only in the Merriam-Webster Unabridged Dictionary. Here mere children, corrupted by city life, ape the vices of the fashionable adults at places like White's.

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