Since we’ve worked with them last, Slim Thugz released an epic new single “Croissant” in early May and spent some time in Blunt.Trauma Studios throwing down for the Sunday Smoke Sessions on Glitch.FM. It was obvious to me right away that Ryan was a total homie and fit right in with our crew. For example, the shot above was originally vertical. We had a 50mm 1.4, 70-200mm 2.8, and a 16-35mm 2.8. The patience and hospitality Jimmy had over the week we spent together was humbling. ), and started on up to Chautauqua. The “Gates Lab” is located on a decommissioned military base in an undisclosed location. If you can be there to catch that subsequent shot, it can be golden. Approach the field with the respect it deserves. Ultimately, you may need to take a course like this one in Digital Photography: Shooting in Manual to learn how the manual settings in your digital camera work. We shot with a Canon 7D and a wide range of lenses. For portraiture, there’s nothing like it. Contact me for a print if you want. Shot on a Nikon D300 w/ the 85mm f/1.4 and an SB-600. Ryan pulled his car next to an old NIKE missile. In my recent camera tests things seem to be picking up. At its core, photojournalism is serious journalism, with a focus on the visual impact of a story. We got to shoot in one of three underground missile silos, surrounded by 6 feet of pure concrete. I was manual focusing, but the huge viewfinder on medium format makes it super easy. When the moment happens, and you need to take that critical shot, you don’t want to be fiddling with the exposure meter. But viewers expect reality from photojournalism. The newer version looks nice but i don’t see much of a reason to upgrade.
I don’t yet have a ergonomical preference really, nor do i see any functionality issues with either. That was it for the day. Of course it happened to say “Snow Space” on it and was laying next to the only red tree in the area. Creating an account is free and gets you: Access to High-Definition streaming; A personal area on the site where you can access: Favorite Shows
Good stuff. #gallery-1282-6 .gallery-caption { Is there an event happening in your town that you believe has the potential for journalistic relevance? Apparently this was his first time in Boulder.
Our first bit of Thissongissick.com Global Dance Festival coverage is up on Youtube (still figuring it out), featuring Swedish DJ, Avicii and his track “Levels”.
For this shot i used the Nikon D3s and the 14-24mm f/2.8, which was a bit wide in hindsight. Hung some remote flashes from the balcony to make sure i got the sold out crowd lit up.
November 2, 2010 | Categories: motion photography, photojournal | Leave a comment. So far it is like this…. Look for that stuff popping up here and on facebook. But by the time i left Louisiana we knew each other better than i ever could have guessed. I used a Canon 7d as usual, though i’ve really got my eye on that new D7000. The padding was in the right places and there are plenty of fully zippable or velcroable spaces to keep things put. It wasn’t overly crowded but it caught my eye. I also finally got to meet Ryan Gates of Gates311 who was the subject of our SEMA auto show coverage that day. The exposure time was really testing my patients. October 31, 2010 | Categories: photojournal, still photography | Tags: 85mm f/1.4 AF-D | Leave a comment. On a somewhat unrelated note, Ayla was after the squirrels while we shot. margin-left: 0; The point of the photojournalistic images to draw the viewer’s attention to the elements that are critical. Shot on a 7D, graded in Lightroom 3 as usual. He didn’t say much at first.
As you can see, the gallery is enormous. Not much light gets through 6 feet of solid concrete protecting us from all sides, So setting up Profoto 7b strobes was a must. }
He mentioned that Denver is probably his favorite place, or perhaps one of his favorite places to play in the world. Thought i would post a few shots i took a little while back from a sunset walk around CU a little while back. In the meantime, i plan to do a lot of straight photography on these trips so that should be fun.
Went out to the Fisk, Sorry for Partying, J Flash, Marshall Barnes, Steve Aoki lineup the other day at the Boulder Theatre.
The photos took a run through Lightroom 3 for a little noise control and some grading. #gallery-1282-6 .gallery-item { You need to be paying attention constantly.
Here are four basic components of a creative photo diary. But a narrow depth of field can be a very valuable tool. It isn’t everyday that you get the freedom to do whatever it takes to get the shot with this caliber artist.
April 27, 2011 | Categories: events, motion photography, photojournal, still photography | Tags: 14-24mm f/2.8 AF-S, 35mm f/2 AF-D, 420, 85mm f/1.4 AF-D, boulder, boulder photographer, brian swenson, canon 7d, colorado, Colt Seman, CU Boulder, events, Film Matters, Jonny Zeller, lightroom, nikon, nikon d3s, novoflex adapters, panorama, photography, piece rally, sachtler CF 75, sachtler FSB-8, steve convry, the rooster, timelpase | Leave a comment. } It’s waist high, up against a wall, and has a pretty bumpy in run. Relaxed but inquisitive. On the other hand, after it happened early friday morning it never happened again, although i hadn’t really changed anything about the bag. Get a subscription to a library of online courses and digital learning tools for your organization with Udemy for Business. The images I got out of the 28mm lens were by far my favorite of the day. This happened too me once but didn’t make much of a splash and didn’t jeapardize my camera gear so much as my reflectors and sofbox that were in the frontmost pocket. Photojournalism may seem like a commodity these days. text-align: center; It was at capacity by about 11 and had a line 40 or 50 deep for pretty much the rest of the night. This will be the first city we will shoot in the next 4 weeks for a new project that will consist of mainly timelapse photography in San Francisco, New Orleans and Las Vegas. } Laos is known as one of the most bombed regions of the Vietnam war. A lot of photojournalism comes down to waiting. May 30, 2011 | Categories: motion photography, photojournal | Tags: 35mm f/2 AF-D, 85mm f/1.4 AF-D, boulder, boulder photographer, canon 7d, colorado, events, lightroom, live music, natural light, sachtler CF 75, sachtler FSB-8, slim thugz | Leave a comment, We were lucky enough to get the call on Friday night to shoot the surprise 1/2 Big Gigantic show at the Goose. margin-top: 10px; This was my first chance to work with both the Nikon and Canon timers. I also think its key to get that rimlight on the crowd otherwise theres just not enough context when shooting in that direction. Ryan pushed his Mitsubishi Evo X out of the trailer while I grabbed my Phase One P-45 from my F-stop gear bag. One thing that really sets Rusko apart from others is the way he interacts with people from on stage. Macro done with extension tubes. on the Canon 7d to trigger. Things aren’t quite where i want to see them in Vegas but the results were pretty promising i think.
Rusko came through after a night at the Ogden in Denver and blew the lid off Boulder big time. I guess shooters like to get as much time as we can to shoot for weekend trips or something because apparently we were all thinking alike. It very well could have been an uneven surface. It serves as the primary location for the Gates311 Evo rebuild. Ryan focuses on “Time Attack” which is one of the more pure race disciplines, and he is really good at it… His exceptional driving helped him maneuver his 750whp/ 650wtq Evolution X through an undefeated race season. The shoot will run though the end of the month and then it’s back to the Cinesthetics studio in Boulder for post-production.
I didn’t get too many good photos of the suite on my SLRs because the view was so ridiculous i went straight to timelapsing on both cameras. The idea in this kind of environment is to travel light and stay mobile. The photos came out pretty raw so i went with that in Lightroom and graded them super gritty. Getting into Vegas i was stoked to get to the MGM and see the rest of the Film Matters team (probably more so than they were to see me considering the time). I shot this whole project with Nikon’s 85mm f/1.4 AF-D. It’s such a versatile lens that i didn’t feel the need to use either of the 2.8 zooms i had with me at all. It was a challenge staying out of the film crew’s way but the results were amazing. Photojournalism is not just about artistic expression, it’s also about making sure that people can see what’s happening. To make things even better, the front compartment that stores the computer and a lot of the small stuff is removable–making two fully separate bags for overhead storage. It was a super rowdy show! text-align: center; Closed Captioning. I got home, dropped off a bag, met up with some friends, threw the camera gear in the Jeep (already packed!
Jimmy was the sole reason i accomplished anything of value during my stay in Nola. Going from a Nikon D3 12.1 megapixels to a Phase One digital back is night and day in terms of quality and perhaps more importantly, resolution. Sometimes you don’t get to go to any length to get the shot, and instead it’s simply about being at the right place at the right time and doing your part. It’s good to come prepared with basic model releases in case you think you’re going to need them.
The only time i don’t love it is when it’s focuses near infinity, where i think it gets a bit softer than say an 70-200. Shows are really good practice for shooting in tough lighting situations and keeping up with changes in exposure on the fly. The idea is that the film showcases the differences and similarities between these places and their inhabitants by capturing as much of the city as a whole as we can in the short time we will have there. } #gallery-1282-6 { During the shoot, we were able to grab some quick behind the scenes footage of the process. Thanks to my homies that waited patiently in the car while i got the shot and thanks for looking, September 7, 2010 | Categories: photojournal, still photography | Tags: 14-24mm f/2.8 AF-S, 24-70mm f/2.8 AF-S, boulder canon, boulder photographer, canon 7d, colorado, events, fire, lightroom, nikon, photography, sachtler CF 75, sachtler FSB-8 | 1 Comment.
/* see gallery_shortcode() in wp-includes/media.php */, September 25, 2010 | Categories: events, photojournal, still photography | Tags: 14-24mm f/2.8 AF-S, 24-70mm f/2.8 AF-S, 430ex II, 85mm f/1.4 AF-D, boulder, boulder photographer, canon 7d, colorado, d7000, events, lighting, lightroom, live music, nikon, novoflex adapters, photography, rusko, sb600, the fox | Leave a comment. Some of the shots have a pretty distinct “dogs with wide angle lenses” look that South Park so poignantly describes , January 10, 2010 | Categories: photojournal, still photography | Tags: 14-24mm f/2.8 AF-S, 24-70mm f/2.8 AF-S, 85mm f/1.4 AF-D, ayla, boulder, colorado, d300, dogs, karl, photography | 2 Comments, Piece Rally Timelapse | 420 Boulder | Event Feature, Filming ‘Gone Gonzo’ in Laos | Behind the Scenes, Steve Aoki at The Boulder Theatre | Music Photography, Jimmy and Bourbon Street | Editorial Photography, Vegas Timelapse Day 1 Notes | Photojournal, Getting Ready to Shoot Vegas This Weekend | Motion Photography, John Benjamin Hernreich | Portrait Photography, Monhait Hits the Duane Rail | Sports Photography, Monhait’s Alley Rail | Sports Photography, Film Matters is in Boulder Doin’ Work | Portrait Photography, A Few Stills From Vegas | Travel Photography, A Few Months Worth of Dog Photos | Photojournal. With high-resolution images, you have the advantage of being able to do extensive cropping in software after you’ve shot a picture.
One thing i did notice is that the Canon takes a pretty obscure battery and while it is supplied with the timer, i imagine it wouldn’t be the most convenient battery to go out looking for in a pinch. We can’t wait to catch up with them on tour this fall and keep at it! We kept on going to one the last remaining lookouts we knew of in the area. Tannbach in the 1960s.
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