Handmade Oil Painting Reproduction of Wounded, Passchendaele by Paul Nash - BrushWiz.com. Museum Quality Guaranteed + Free Shipping. Ocean's Bridge provides a full warranty covering manufacturing and material defects for paintings and prints purchased from our website. Photo by Frank Hurley. ‘This drawing is an extraordinary view into Paul Nash’s experience as a soldier in the trenches,’ says Philip Harley, Senior Director of Modern British Pictures in London, of A Farm, Wytschaete, a landscape depicting the Battle of Passchendaele in Belgium, one of the First World War’s bloodiest conflicts. Commission your own museum quality hand painted reproduction of "Wounded, Passchendaele" on a high quality cotton-linen canvas, originally by artist Paul Nash. of satisfied customers. The fighting in the Ypres Salient in 1917 and the aftermath of the Battle of Passchendaele had a major effect on Paul Nash, and also made a big impact on his art. For Paul Nash the shelled woods, dismembered trees and traumatised fields became a metaphor for the wider destruction and suffering of the war. Size: The painting will be painted to your specifications, Materials Canvas: Cotton/Linen canvas blend, Materials Paints: Winsor & Newton oil-based paints.

We know from Nash’s wife that his drawings were sometimes splattered with mud from nearby exploding shells, and he would use it to give the artwork more colour.’, ‘The drawing looks as though it depicts both day and night, with the sky lit up from the explosion of bombs,’ the specialist continues. Top-quality works on paper by Nash executed during the First World War very rarely appear on the market. His letters to his wife offer privileged access to the daily The work will now be offered in Christie’s Modern British & Irish Art Evening Sale on 26 June in London. Paul Nash is on show at the Laing Art Gallery from 9 September to 14 January.

The Field of Passchendaele by Paul Nash The battered and scarred landscape of the Western Front had a profound effect on many artists. ‘The blasted trees all along the horizon are a motif that Nash uses again, for example in one of his most famous paintings, We Are Making a New World  (1918) in the Imperial War Museum’s collection.’. Image: Collection Database of the Australian War Memorial, ID Number: E01220. In May 1918, Nash exhibited A Farm, Wytschaete  and 55 other drawings and paintings inspired by his experience at Passchendaele, at the Leicester Galleries, London.

There are no hidden fees. The painting arrived and I wanted to say thank you for your help.

They called it Passchendaele.’, Paul Nash (1889-1946), A Farm, Wytschaete, 1917.

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