Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well. Da Vinci’s contribution to the creation of the altarpiece “The Baptism of Christ” stands out as an early indication of his artistic potential. Carlo Pedretti in the book “Leonardo” noticed that the secondary figure of the angel is turned to the viewer’s back and performs the same function as the figure of St. Thomas: the viewer’s involvement in what is happening in the picture, so that he feels himself part of the Sacrament of Baptism. The dove and the figure of Christ descending from heaven divide the canvas into two equal parts, and the clouds repeat the silhouette of the dove symbolizing the appearance of the Holy Spirit. In the workshop it was accepted that the leading artist, in this case Verrocchio, draw the main figures – Jesus and John the Baptist – leaving the landscape and secondary figures to their talented students. The elevated head of the angel directs the spectator’s eyes to the stage of Baptism. The painting of The Baptism of Christ was mainly done by Verrochio using tempera on wood. Based on similar stylistic features, part of the landscape can be attributed to the work of Vinci. The “Baptism of Christ”, written in 1470-1472 and 1475-1478, was ordered by the workshop of Verrocchio by the monks of the monastery of San Salvi in Florence. Perhaps it was meant for the church of Villambrouse. By mastery he excels both colleagues and teachers, who always recognized the talent of his assistant.

Pedretti emphasizes that the face of the angel of Leonardo’s work is classical beauty, his sophistication can compete with antique models. It is held by the National Gallery, London. The Baptism of Christ is a painting finished around 1475 in the studio of the Italian Renaissance painter Andrea del Verrocchio and generally ascribed to him and his pupil Leonardo da Vinci. The Baptism of Christ is a painting by the Italian Renaissance master Piero della Francesca. Before working professionally in painting, Piero della Francesca studied mathematics. Da Vinci’s contribution to the creation of the altarpiece “The Baptism of Christ” stands out as an early indication of his artistic potential. Painted in egg tempera on two panels of poplar wood, the dating is controversial – some give it a very early date, perhaps 1439; others much later, around 1460. The short description includes a record of “Leonardo’s. The painting depicts St. John the Baptist during the baptism of the Lord Jesus Christ as according to the Gospels of Luke, Mark and Matthew. In the era of Leonardo, the motif of the “Baptism of Christ” was widely distributed among public and private orders of images on biblical themes. To the history of the creation of the work, Vasari refers an apocryphal record about the scene that occurred in the workshop of Verrocchio while working on this picture. The angel holds in his hands the robes of Christ, ready to give it to Jesus when he comes out of the river. The Baptism of Christ by Leonardo da Vinci, The Baptism of Christ by Andrea del Verrocchio, Saint Anna and Mary with the Infant Christ by Leonardo Da Vinci, Madonna with a carnation by Leonardo Da Vinci, Warrior in helmet and armor by Leonardo da Vinci, Fresco Baptism of Christ by Pietro Perugino, Flowering almond branches by Vincent Van Gogh, Portrait de l’artiste Ge – Nikolay Yaroshenko, Vue de la ville idéale – Piero della Francesca, La main de Michel-Ange – Michelangelo Buonarroti, Kossa (Temps de souffrance) – Grigory Myasoedov. By mastery he excels both colleagues and teachers, who always recognized the talent of his assistant. One work stands out especially against this background – the “Baptism of Christ” brush by Piero della Francesca, kept in the London National Gallery. https://jp.painting-planet.com/, http://it.painting-planet.com/, http://in.painting-planet.com/, https://pl.painting-planet.com/, http://kr.painting-planet.com/. Comparing this work with the bronze sculpture of Christ and St. Thomas, performed by Verrocchio for Orsanmikele, you can see some similarities. It is assumed that the second angel, located closer to Christ, belongs to the brush of Sandro Botticelli. This work combines the creative efforts of Verrocchio and Leonardo. Two angels on the left side of the painting complete the four figures in the artwork. His knowledge of this subject was also applied in the picture, which is marked by the accuracy of symmetrical proportions. The “Baptism of Christ”, written in 1470-1472 and 1475-1478, was ordered by the workshop of Verrocchio by the monks of the … The teacher recognized the superiority of his pupil and swore to quit drawing. Verrocchio left the workshop for a while, and on his return saw an amazing angel, whom Leonardo had time to portray. At the end of the work on this picture, Verrocchio did not stop drawing, but he began to pay more attention to sculpture. The Baptism of Christ by Leonardo da Vinci.


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