Perhaps this was simply a necessary part of rewriting history for the new regime, in order to convince people that in their hearts they’d been on the winning side all along. 1611. 1607–1610. The story is that this public appearance was what finally saw Moll brought up on charges for her cross-dressing. At 16 she was charged with stealing two shillings. She was a character in The Madde Pranckes of Mery Mall of the Bankside, by the playwright John Day. [citation needed], She is recorded as being released on 21 June 1644 from Bethlem Hospital after being cured of insanity,[8] which may or not be related to the (possibly apocryphal) story that she robbed General Fairfax and shot him in the arm during the Civil War. However it might be that Moll’s gender gave her repeated clemency, or that the rules were more laxly applied in those days. An accomplice would distract the target while Mary cut the strings of their purse, detaching it from their belt. At some point towards the end of her life Mary was incarcerated in Bethlem Hospital, but was released in 1644, apparently cured of insanity. Not only did she win the bet, she rode flaunting a banner and blowing a trumpet as well. And that was exactly what Moll Cutpurse was. She wore men’s clothing and told stories, played the lute and argued with the audience. Company number: 10481957East End Women’s Museum CIO is a charitable incorporated organisation, registered with the Charity Commission for England and Wales. From a chance remark made by the prostitute Moll was able to identify her as Mary Dell, and the pair confronted her in her house before having her arrested. Her life and times have been well-documented, not least in her own words in a 1662 autobiography, and in The Newgate Calendar, which describes the "boisterous and masculine spirit" which appeared in her childhood: She was above all breeding and instruction. We’ll be in touch soon about our exciting events, exhibitions and new building project. However, she jumped overboard before the ship set sail, and refused to go near her uncle again. She accepted the bet, and even bought a trumpet and a banner to go along with. Later still The Newgate Calendar records that at 74 years old: Moll being grown crazy in her body, and discontented in mind, she yielded to the next distemper that approached her, which was the dropsy; a disease which had such strange and terrible symptoms that she thought she was possessed, and that the devil had got within her doublet.

It was said that to escape the gallows and Newgate Prison she paid a £2,000 bribe. Dubbed the 'Governess of London's underworld', Mary Frith was also known as Moll Cutpurse.Moll was a common name for a disreputable young woman. Mary Frith (c. 1584 – 26 July 1659), alias Moll (or Mal) Cutpurse, was a notorious pickpocket and fence of the London underworld.

As she grew up, Mary got into more and more trouble. It’s uncertain how serious the relationship was – he seems to disappear from her life afterwards, though it’s possible he just died of an infection or in a brawl or one of the many other ways to die in 17th century London. The Roaring Girl, as published in 1611 by Thomas Middleton and Thomas Dekker, tells the story of “Moll Cutpurse,” a pants-wearing, sword-wielding woman whose fierce independence creates scandal wherever she goes. She earned a few stints in jail and was allegedly “burned on the hand” four times. While the other women discussed their roles as wives or maids, Frith appeared as a negative representation of freedom. She was in and out of prison and was burnt on the hand four times, a common punishment for thieves. Moll herself gleefully declares that she would never marry.

The verdict in the competing cases is not recorded. [7], She married Lewknor Markham (possibly the son of playwright Gervase Markham) on 23 March 1614. In 1611 Frith even performed (in men's clothing, as always) at the Fortune Theatre. It is important to note that, at the time, women who dressed in men's attire on a regular basis were generally considered to be "sexually riotous and uncontrolled", but Mary herself claimed to be uninterested in sex.

She could not endure that sedentary life of sewing or stitching; a sampler was as grievous to her as a winding sheet; and on her needle, bodkin and thimble she could not think quietly, wishing them changed into sword and dagger for a bout at cudgels. Her dogs were particularly special to her: each had its own bed with sheets and blankets.

[1] It may have been the very first time a woman appeared on stage in an English theatre. Mary Frith, or Moll Cutpurse, the Roaring Girl, Woodcut of Mary Frith smoking a pipe and holding a sword, Engraving of Mary Frith in doublet and hat, with a bird and a monkey, Phillis Wheatley: the first published black woman poet, The Life and Death of Mrs. Mary Frith: Commonly Called Mal Cutpurse. [6], However, Mary seems to have been given a fair amount of freedom in a society that so frowned upon women who acted unconventionally. Apparently. In actuality Moll seems to have spent most of the civil war as an inmate of Bethlehem Royal Hospital (better known as Bedlam). The other name by which she was known, "The Roaring Girl" is derived from the early modern London trend of "roaring boys," or aggressive young men of lower social stations who defied codes of civility and aped the belligerent and courtly styles of the upper class .[2]. HeadStuff is all about putting buckets of interesting stuff in one place.

Mary was a “Whipster”, one of the skilled pickpockets who actually did the “Feat” while the mark was distracted by the “Bulk” and who then handed the goods off to a “Rub”. Her will famously was supposed to make a request for her to be buried on her face with her “breech upwards”, in order that she might be as outrageous in death as she had been in life. Mal Cutpurse on Horseback, which set the people that were passing by, and the Folks in their Shops a hooting and hollowing as if they had been mad; winding their cries to this deep note, 'Come down thou shame of Women or we will pull thee down'. Her husband’s name was Lewknor Markham, and he was the son of a playwright named Gervase Markham. She prepared their food herself. In The Life And Death Of Mrs. Mary Frith, Commonly Called Mal Cutpurse, Moll is recast as a Royalist heroine. [5] The Roaring Girl, while highlighting her qualities that were deemed improper, also depicted her as possessing virtue, such as when she attacks a male character for assuming all women to be prostitutes, and when she exhibits chastity by refusing to ever marry. Sadly this isn’t one of the few plays of his that survive. Mary proved to be a skilled Whipster, and soon earned the nickname of “Moll Cutpurse” – a cutpurse being a pickpocket, while “Moll” was both short for Mary and a word used to describe a rough and tumble woman. Once she swam to the shore she resolved to make her own way in the world. [citation needed], Once a showman named William Banks bet Mary 20 pounds that she wouldn’t ride from Charing Cross to Shoreditch dressed as a man. [4] Mary presented herself in public in a doublet and baggy breeches, smoking a pipe and swearing if she wished. These behaviours, which carried into her daily life, led to her punishment in February 1611, when she was forced to perform public penance. Evidence shows that the whole thing was contracted to give Frith a counter when suits against her referred to her as a "spinster". Mary Frith was born at Barbican on Aldersgate Street in 1584, and grew up to be one of the most famous women of her age, immortalised in not one but two plays: The Madde Pranckes of Mery Mall of the Bankside by John Day in 1610, and The Roaring Girl by Thomas Middleton and Thomas Dekker in 1611. Based on the real-life Mary Firth, a notorious female highwayman of the 17th century, Moll is not just a woman of a playwright’s imagination, but a living, breathing story.

Best of all, from Moll’s point of view, was that she got paid twice – once by the women, and once by the men.

Moll developed “dropsy” in her old age – fluid retention in her tissues, usually painful and crippling. [11] She has been regarded as the "first female smoker of England"[12] and most images of her show her smoking a pipe, which was seen as something only men did during her time period. On one such occasion (as Moll later told the tale) the gentleman looking for his watch turned out to be a police plant, and as soon as she returned it she was arrested for handling stolen goods. Moll was arraigned for trial, but one of her fellow pickpockets saved her from jail by stealing the watch (the key evidence) from the police officer who was bringing it up through the court. It’s likely that a notorious bohemian like her was an early target of the Puritan authorities, and some accounts have her paying a massive £2000 bribe to escape from the gallows and put herself into Bedlam instead. John Milton wrote an epitaph which was engraved on a marble headstone, later destroyed in the Great Fire of London, in which he celebrates her unique and rebellious spirit: For no communion she had, She also acted as a go-between and cutout for people engaging in more perilous affairs, something which gave her friends in high places who repaid her discretion with later leniency. That’s about as detailed as a lot of the facts on Mary get, though we do have the records of her interaction with the law to rely on. So came late into Shoreditch, where I paced the same way back again to the winning of my Wager, and my great Content, to see my self thus out of danger, which I would never tempt again in that nature. Moll described the men she provided as “the sprucest fellows the town afforded”, and was amused to see some of them later presenting themselves in high society.



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