The “Jazz Age” evoked rapid mechanization and the giddy good life of America's more high-rolling citizens, as much as it did a particular genre of music. Reading Hughes jazz poems and combining it with the status of jazz music and Hughes view of art, the following assumptions are plausible: Hughes’ jazz poetry tries with literary devices to imitate jazz music. .

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Blues is for the most part vocal and mellow, jazz for the most part instrumental and aggressive. This poetry reflects to reflect modern, urban black popular culture. . Its language - swift-paced, informal talk - aids the impression of spontaneity. „Railroad Avenue“ and the distinctive Afro-American voice. 3.2 Popular Life, 4.

Jazz poetry and Modernity

Authors of such poetry attempt to emulate the rhythms and freedom of the music in their poetry. In a jazz piece, ensemble and solo playing alternate with each other. In the same vein as his beliefs about jazz, Hughes felt that jazz poetry could be a uniquely African-American literary form, distinctive among the venerable—and very white—poetic canon. Concerning items and message of jazz poetry, secondary literature offers no help. Brief solos are called breaks and consist only of a short flurry of notes. . Please, subscribe or login to access full text content. The language is most often colloquial, sometimes the hip talk of musicians, almost always the language of common people, rarely the language of the academies.[5]. 3. Users without a subscription are not able to see the full content. Additionally to the meter, the employment of short sentences contribute to catch the rhythmic intensity of jazz music. The first line starts , like a reversed upbeat, with two stressed syllables, followed in the next line by three iambs. The first poets to allude to jazz music, figures, or culture were Vachel Lindsay, Carl Sandburg, Mina Loy, and Hart Crane.

Ma do her stuff;

[5] Onwuchekwa Jemie, „Jazz, Jive and Jam“, Modern critical views. Published to Oxford Scholarship Online: January 2010, DOI: 10.1093/acprof:oso/9780195058499.001.0001, PRINTED FROM OXFORD SCHOLARSHIP ONLINE (oxford.universitypressscholarship.com). Miles aroun', From Cape Girardeau, Poplar Bluff, Flocks in to hear. So the choice of words supports the jazzy tone. You could not be signed in, please check and try again.

moves with the bouncy rhythms and exuberance that characterize the music. . [8] In „Railroad Avenue“ some lines are rendered prominent typographically and recall to a playing of a solo. Jazz was the single most discussed musical genre of the United States during the 1920s, coming to represent the decade as a whole. [6] Jazz music developed in the course of time, therefore it is necessary to remark, that the elements of jazz mentioned in the following chapter refer to the jazz music of the twenties.

So the 10th, 11th and 24th line remind of a break and the 16th - 22nd line of a longer solo played by a musician who rises from his seat and steps to the rim of the stage. It was called jazz and after it decade-long party of the 20’s was named the jazz age. So he took jazz, which he considered the „child“ of the common men, transformed it into poetry and brought this distinctive poetic genre into a high level of development.[4].

Ma Rainey. But how did Hughes shape music into poetry, what were the items of his jazz poetry and what message did he want to mediate?

  For him the lower classes could express better the black race spirit than an elitist art, because in his opinion they „Do not particularly care whether they are like white folks“[3].

. Langston Hughes was an exception, because he had a different conception of art.

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