We collect this information in a way that does not identify you and the data is not shared with anybody else. Log When the Duke of Norfolk announced his intention to sell, American and German investors were keen to buy it. The painting may be purchased as wall art, home decor, apparel, phone cases, greeting cards, and more. Generations of viewers have shared Henry's infatuation with this engaging portrait. © Art Fund 2019. Leonardo's famous cartoon, The Virgin and Child with St Anne and St John the Baptist is a full-size drawing for an altarpiece that was never realised. It needed to raise the total cost of this painting in less than a month. John Rowlands, Holbein: The Paintings of Hans Holbein the Younger. This page was last edited on 14 October 2019, at 11:55. account, Sensing the Unseen: Step into Gossaert's 'Adoration', The IP address from which the device accesses a client’s website or mobile application, Information about the geographic location of the device when it accesses a website or mobile application, Remember your login details and store your preferences, Create a better, more personalised experience, Help us understand how people interact with our website and how this could be improved, Make our advertising and communications efforts more efficient with measurement and targeting. Thank you to Heather R. Darsie for writing this article on Christina of Denmark... Christina Oldenburg, born a Princess of Denmark and Norway, entered the world in November of 1521 or 1522.
It has been suggested that the full-face pose, characteristic of Holbein's other portraits of Henry's prospective brides, was chosen on instructions from the king, who may have felt that any other view might allow blemishes to be concealed from him. These cookies are necessary for our website to operate. Christina was considered as a possible bride for King Henry VIII of England.
On 12 March 1538 she agreed to sit for Holbein for three hours, and the English envoy judged the resulting drawing or drawings to be `very perfect'. Boston, David R. Godine, 1985. Apr 7, 2016 - Christina of Denmark Duchess of Milan is a painting by Hans Holbein the Younger which was uploaded on June 24th, 2013. Hans Holbein the Younger, Christina of Denmark, Duchess of Milan, 1538, oil on oak, 179.1 x 82.6 cm (The National Gallery, London). Please enter your email address and we'll send you a link to reset your password. She is given bright red lips, whose colour is echoed by the red ring on her fingers.
In May 1909 the Art Fund launched the most difficult appeal of its early history. Christina of Denmark, Duchess of Milan Hans Holbein the Younger Art Funded 1909 Dimensions 182 x 83 cm Vendor Colnaghi. Her black gown is lined with brown fur. She is given almost perfect white skin, the tones of which are offset against the black overcoat. It needed to raise the total cost of this painting in less than a month.
[3] Her youth is conveyed through her half smile, oval face, shy expression and dimples.
Henry was so taken with the initial colour drawings for the portrait —which showed only her head[3]— that, according to the imperial ambassador Eustace Chapuys, "since he saw it he has been in much better humour than he ever was, making musicians play on their instruments all day long". She is credited with saying; "If I had two heads, I would happily put one at the disposal of the King of England". They arrived in Denmark on 10 March 1538, where on the 12th Christina sat for the portrait for three hours between 1:00 and 4:00 pm.
Please review and manage your cookie settings. Christina's faint smile seems at once demure and intimate. "Art Fund" is the operating name of the National Art Collections Fund, a charity registered in England and Wales (209174) and Scotland (SC038331). We just need one more thing from you so you can access your account. [1] It was acquired in 1909 by the National Gallery, London, where it is on permanent display. It was commissioned that year by Thomas Cromwell, agent for Henry VIII, as a betrothal painting following the death of the English Queen Jane Seymour. [2], Following the 1537 death of the English Queen Jane Seymour, Holbein was commissioned to paint portraits of noblewomen eligible to marry Henry VIII. ‘Christina of Denmark’ was created in c.1538 by Hans Holbein the Younger in Northern Renaissance style. Please set a password below. [4] Holbein would have been able to converse with her in his native German. Holbein must have worked up the painted portrait after his return to London, and the king was said to be `in love' with Christina, whom of course he had never met except through Holbein's art. The Art Fund has also helped to buy the Bridgewater Titians. Manage your membership, curate your My Picks and, if you work in a museum or gallery, access support for you and your venue.
The younger daughter of King Christian II of Denmark, an early Lutheran sympathiser who lost his throne in 1523, she had been brought up in the Netherlands at the courts of her great-aunt, Margaret of Austria, Governess of the Netherlands until her death in 1530, and her aunt, Mary of Hungary, Margaret's successor and sister of the Emperor Charles V. After her husband's death in 1535, Christina returned to Brussels. Christina was Duchess of Milan, and widowed to Francesco II Sforza, who had died in 1535 when she was just thirteen.
They enable you to move around the site and use its features, for example accessing My Art Fund, completing a form or buying a National Art Pass. Her expression is lively and engaged. Art Fund aims to improve the services we offer. Thomas Cromwell sent Holbein and the ambassador Philip Hoby to Brussels to meet with her. Being the daughter of Isabella of Austria, Christina was the niece of the Holy Roman Emperor, Charles V. Her father was King Christian II of Denmark and Norway.
That afternoon he made preparatory sketches of her head; the final oil painting was completed at some point shortly after his return to England. The figure stands out isolated against the plain but brightly coloured background relieved only by shadows, cast not merely by Christina herself but by an unseen window frame. Find more prominent pieces of portrait at Wikiart.org – best visual art database.
Diana and Actaeon and Diana and Callisto were bought jointly by National Gallery and National Galleries Scotland. Find out more about how to do this. The work was placed on loan to The National Gallery in 1880 where it remained on public view for nearly 30 years. [5], Christina stands in full length in a frontal pose. 8 characters with upper and lowercase letters, numbers and symbols. [3], Christina herself was against marriage arrangement; she was only sixteen years old and made no secret of her distaste for Henry, who by this time had a reputation around Europe for his mistreatment of wives.
Complete Edition. On the basis of the drawing, he commissioned that Holbein extend it to a full length oil panel.
She is set against a turquoise background, reminiscent of 15th century Burgundian art. All products are produced on-demand and shipped worldwide within 2 - 3 business days. It shows the then sixteen-year-old Christina of Denmark, widowed Duchess of Milan. She is dressed in black mourning clothes even years after the death of her husband, as was the custom for women involved in a noble Italian marriage. Henry VIII of England attempted, unsuccessfully in the event, to marry her as his fourth wife after the death of Jane Seymour.
Remarkably for a work of this period, we know precisely how and when it came to be made. She throws a shadow against the wall behind her, a further strip of shadow appears on the right hand side, thrown by an unseen source. These cookies enable us to improve the online services and experiences we offer you, by allowing us to monitor the number of visitors to our website and how they navigate it. English: Holbein painted this portrait of Christina of Denmark, the young widowed Duchess of Milan, for Henry VIII of England, who was considering her as a possible wife. These cookies allow companies or advertisers we work with to deploy more relevant ads and improve the efficiency of our marketing efforts. Henry VIII, Lumley, Pembroke, Arundel; Dukes of Norfolk. Portrait of Christina of Denmark was painted with oil on oak panel by Hans Holbein the Younger in 1538. These cookies cannot be turned off by the user unless you disable all cookies in your browser. Christina of Denmark, Ducchess of Milan 1538 Oil on oak, 179 x 83 cm National Gallery, London: Holbein's painting of the sixteen-year-old Christina of Denmark, widowed Duchess of Milan, is his only surviving full-length portrait of a woman. Remarkably for a work of this period, we know precisely how and when it came to be made. Christina of Denmark, seen here in an original Hans Holbein portrait, lived from 1521 - 1590. In May 1909 the Art Fund launched the most difficult appeal of its early history. Not known as a great beauty, Christina was, however, much praised for the elegance of her hands, and in this area of the painting Holbein suggests the different textures of linen, velvet, fur, leather, gold and gemstone to set off the delicate beauty of the flesh. Since the black mourning dress carried no ornament, Holbein stressed the three-dimensional modelling, creating enlivening patterns from the reflection of light on the folds of the silken robe. The painting has been commissioned by Henry VIII, who considered making the 16 year old Duchess his fourth wife.
Portrait of Christina of Denmark was painted with oil on oak panel by Hans Holbein the Younger in 1538. in, Create Although Henry was taken by her representations, the marriage proposal did not go ahead; not least because she was aware of Henry's earlier treatment of his wives, and said "If I had two heads, I would happily put one at the disposal of the King of England". Art historian Derek Wilson wrote that the portrait "is the loveliest paintings of a woman [Holbein] ever painted, that is, it is one of the finest female portraits ever painted. [3], Key facts: Christina of Denmark, Duchess of Milan, https://en.wikipedia.org/w/index.php?title=Portrait_of_Christina_of_Denmark&oldid=921182956, Creative Commons Attribution-ShareAlike License. One of the treasures of the National Gallery, Velázquez's The Toilet of Venus (known more commonly as the 'Rokeby Venus') was saved for the nation in 1906 after a contentious campaign. To find out more, read our cookie policy or to manage your settings click here.
This means you might see personalised or targeted adverts while browsing other websites. Please set all privacy options to continue. [1] Various political and practical obstacles related to her close ties with the Lutheran church thwarted the match.
[5] Although the portrait is filled with indicators of her nobility, she has taken off her gloves, allowing an informal, intimate atmosphere.
He was tasked with providing a straightforward, exact portrait of the girl.[3].
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